A musical silhouette of a century’s end.

Last Light occupies a unique space in time. Composed on December 31, 1999, it serves as a sophisticated, moody meditation written during the final hours of the 20th century.

This is not a piece of hustle or frantic energy; rather, it is a work of deep atmosphere and technical refinement. It captures the stillness and the weight of a significant temporal transition, offering the pianist a chance to explore nuanced shading and sophisticated harmonic language within a brief, concentrated timeframe.

Sophistication in brevity. At just two minutes, Last Light is an ideal choice for performers looking to add depth to a program without over-extending duration. It is perfectly suited for:

*Thematic Programming: Ideal for concerts focusing on time, transition, or Australian contemporary works.

*Encores: A quiet, lingering finish that leaves a lasting impression on the audience.

*Tertiary Assessment: Provides an excellent vehicle for demonstrating tonal control and interpretive maturity at an advanced level.